Sunday, 17 December 2017

Still Life and Soup Lunch and Learn Workshop by Purple and Grey



Still life and soup
January 17th 10 - 2 pm
Tansley Village Hall
Church Street, Tansley, 
Matlock DE4 5FH

Still Life Painting is an important field of art and a proven tool for teaching artists of every skill level the disciplines needed to create successful, beautiful paintings.

This Workshop will concentrate on many of the essentials of good picture making, with still life as the subject matter. Some of the principles discussed throughout the workshop will be composition, accuracy in drawing, colour and understanding form, edge control, lighting. The work and knowledge explored during the workshop can be interpreted to any subject of painting so it’s a great start to our year of workshops.

Bring your own paints or use ours, you can use any type of paint you like on paper or canvas it’s up to you.
We will provide the still life arrangement and we will also provide the lunch and endless hot drinks as required we aim to look after you so you can enjoy the art.

Workshop cost £45.

To book please email: purpleandgreyinfo@gmail.com and mention any special dietary requirements.

Special offer book all six lunch and learn workshops for £250.

Wednesday, 13 December 2017

Thank You!

Thank You!

Our 2017 program has now come to an end and we want to thank all of you for participating and attending all our events this year.
We have #networked #learned and #created in many different locations and met so many talented artists its been a real pleasure.

After two years we feel we are getting somewhere with how we want Purple and Grey to be and we are happy with our plans for next year. We will continue to be Derbyshire Regional coordinators for the SAA and we want to continue supporting new and emerging artists by giving them exhibition space and a place to meet and learn from each other.

One of the most rewarding parts of being Purple and Grey is seeing artists we have helped go on to bigger and better things whether some of those things have been winning competitions, partnering up with big materials companies, solo exhibitions and sales, or just venturing into new styles of work.

We have never claimed to know it all but we have enough experience to have been able to point artists in new directions and give them the inspiration to JUST DO IT! Sometimes all it takes is a little chat to a third party to kick you off!

Since July we have been plotting a program of workshops art meets and visits to venues for 2018 and we are excited to announce that we have a fabulous new brochure printed locally in Lumsdale. All our dates and details are on there for you to keep throughout the year, we are looking forward to networking at Deda and Harley Gallery as well as our guest workshops and regular art group meets.

We will be using this and our blog as our main communication in 2018 so follow us via email and keep an eye out for it in your in boxes! The next one details the first of our Lunch and Learn workshops so stay tuned!

So we hope you have a lovely holiday period and we shall see you back in the new year!

Merry Christmas and A Happy New Year!

Wednesday, 29 November 2017

End of Year Christmas Party


What a fabulous art group we have kind,funny, talented and brilliant company!
And just look at our birthday cake brought along by botanical artist Anne Chapman what a lovely surprise that was! Hard to believe Purple and Grey are two this year.


It looks like we have had a few to many but its non alcoholic punch honest!




The art quiz was quite taxing but luckily everyone was a winner in the end!



For more information about our Derbyshire Regional SAA Art Group visit our page here: http://www.purpleandgrey.co.uk/art-group.html 

Sunday, 12 November 2017

Sandra Orme - The Purple and Grey Interview

Sandra Orme is an established artist working from her studio in Buxton she regularly exhibits with  Peak District Artisans , she has won a national art competition, The Buxton Spa Prize, exhibited with UK's best pastel artists at The Pastel Society, Mall Galleries, London and taught a sold out workshop at University of Oxford's Ashmolean Museum - a testament to both her beautiful art work and her expertise.




Could you describe your typical working week?

I always try and get into the studio every day, but sometimes life gets in the way and I also have to do school run so I'm usually in the studio by 9.30 but out of it by 3.00 pm. I’ll draw most days but I also teach in the studio on a Tuesday and Thursday morning so sometimes after that, I only have times for admin like emailing and website / social media updating. Then at weekends, I sometimes am at a show or teaching a full day workshop elsewhere. On average, I’m actually at the drawing board being creative probably 3 days a week. And of course, being creative doesn’t always go smoothly…


What has been inspiring your art you have been making recently?

I’ve been very interested to exploring new ways of working with charcoal and pastel. I don’t always produce work using the same techniques with charcoal and pastels but like to experiment and push materials in different ways to see what effect they can have. I can only spend time doing this if I don't have a show coming up though.  so in a way I find the materials themselves inspirational and I let them lead me down different paths.


You had a SWOT chat with us was there any advantages in assessing your career thus far?

It really made me think about ways forward with my work - particularly with how to present work at a show. I have struggled to move forward with a couple of excellent ideas - solely due to either financial constraints and raising my daughter and building a studio - but now she is at school and the studio is up and running, I am planning to apply some of the excellent ideas. It also helped me clarify what I was doing on social media and work with that properly - which led to me becoming an associate artist with Unison Colour.


What changes have you made in the last couple of years that have benefited your art business?

I have built a large 24 sq m studio which has had a huge impact on my work and productivity as well. I can now teach from home as well so  I can run regular classes.



You have won some major awards in the past year could you tell us what they were and would you recommend others have a go, what outcomes have you had because of them?

Winning the Buxton Spa Prize has very much raised my profile locally and helped me develop contacts nationally. I would say that people have nothing to lose. I entered because I love the challenge of working on a piece that is location based and would be a different scene to my normal choice. The outcome was my wonderful studio space - truly life changing.






How do you see your practice progressing over the next year or so?

I hope too move forward in a couple of directions. I’ve just discovered that my favourite paper comes in an even larger size so I am keen to work on a bigger scale and see where that goes. I’m also hoping to produce another series of works. Having just completed a commission where I produced set based on the area Ingleborough. I really enjoyed this process and am keen to repeat this with an area in the Peak District.



Please visit Sandras website: 

Saturday, 4 November 2017

Purple and Grey Interview with Chantal Kelly


Chantal Kelly has been a supporter of Purple and Grey since the very beginning and it has been wonderful to watch her career as a Stained Glass Artist flourish, Chantal is also the founder of the craft group Medley who show together twice a year.


You are a stained glass artist but before that you were a geography teacher that’s quite a leap how why when! ?

How? Why? When?
I have to say I ask myself these questions as well and it’s perhaps easier to answer them in reverse order.
The ‘when’ is easy, it was about seven years ago when I first learnt the basics of stained glass.
Then the why…….., I was still teaching geography part time time when we moved into our house which needed a lot of work doing to it, after 6 months with electricians, plumbers and plasterers it was the decorating phase which took me three months as every room needed doing from scratch. When it was over I stood back and realised what the Edwardian house was missing was stained glass internal doors so I did some research and costed it. I soon realised we could not afford to get it done and had a ‘lightbulb’ moment……try to make them myself!!
And so that leaves how, I simply looked up courses and happened on one in Sheffield which was a small group workshop of just four people taught by a marvellous teacher Martin McAssey. I was so lucky that my teaching timetable was part time, and so with quite a bit of juggling I organised my course dates to fit in with my teaching commitment. I travelled to Sheffield each week for a whole afternoon to learn the basics and did this for two ten week courses……by then I was hooked and was working on pieces at home as well…the rest as they say is history!



We notice you seem to work in themes does this help?

I definitely have three different strands of work, I love doing larger figurative pieces showing recognisable local landmarks such as Heage Windmill or Crich Stand and am always looking for new local landscapes to translate into glass. I also continue to be fascinated with making larger abstracts and constantly try to see how different colours and textures react with each other. I also enjoy making smaller decorative items, anyone who has ever been to one of my shows will know my fascination with making butterflies and other smaller pieces for people to enjoy and to give as gifts.



Where do you take inspiration from?

I had been to Iceland years ago and had been overwhelmed by the beauty of the abstract leaded windows in many of the cathedrals and ordinary churches, the way the light burst through them at different times of the day throwing glorious patterns on the white walls inside the churches and the way the changing light affected the colours.
The colour and texture of glass is so amazing and so varied that inspiration comes from there; one of my favourite things is to open a package of glass and suddenly see the possibilities unfold literally with each piece I unwrap. I revisited Iceland three years ago and went to Reykjavik cathedral which were stunning. Last year I was lucky enough to see the glass windows in the Sagrada Familia, Gaudi’s unfinished cathedral in Barcelona and I was blown away by the modern use of glass. I can honestly say it was so beautiful it made me cry… I will never, ever reach those heights but both those buildings are inspirational.



Has it been easy to break into the market so to speak any frustrations along the way?



I think everyone involved in the Artist/Maker business will say it is not easy. I have reached a point where I am breaking even and what I sell covers the considerable costs of materials, insurance, stall fees etc. For me at the moment that is a positive result. Perhaps the most important thing is to realise that there are lots of ups and downs and don’t be frustrated by expecting to be paid for your time when you start out ……..just because I have spent 40 hours on making a piece, including the hours gathering materials and designing it does not mean someone will want to pay you for your trouble. It just doesn’t work like that so price things realistically and swallow your pride to some extent. When you have reached an audience and gained a following with collectors your prices will be able to reflect your efforts but until then…..



You have attended many networking sessions with Purple and Grey have they helped you in anyway  at all, what else have we been able to support you with?

Purple and Grey have been brilliant…….I’ve gained so much from sessions on using Social Media and website design, neither of which I had a clue about. They were so helpful and approachable I didn’t feel the total idiot I actually am when it comes to technology! The free networking sessions are also amazing; to meet up with people who are on the same journey, perhaps a little further along the road gives you confidence to keep going and it’s lovely to keep in touch with them when you meet at shows… a ready made circle of support at new events.


As this is your second career how are you managing your time to suit you what plans have you for the next couple of years?

Time is always an issue for me…if only there were 28 hours in a day I dream I could keep up with all my commitments, however, sometimes I need to stop and think before making too many commitments that will just stress me out later in the year. Finding time to make pieces to sell, experiment with new designs as well as market them, attend shows and organise Medley is a challenge. Having said that my plan is to try to expand my geographical range and perhaps trying some larger events for the 2018 season! Watch this space!

Thursday, 12 October 2017

Fresh and Unframed 2018


Hard to believe it but we are thinking of June 2018! Actually we have been thinking about the whole of 2018 and we have some exciting plans for you all.
But for now lets concentrate on our big annual exhibition Fresh and Unframed after the success of last years event we are holding it again.

Fresh and Unframed 2018
Friday June 29th Open Evening Meet the Artists 5.30 pm - 8 pm
Saturday June 30th 11 - 4 pm
​Tansley Village Hall
Entry is Free for the Visiting Public.

Fresh and Unframed is an Art Exhibition aimed at both emerging and established artists. The idea is that by exhibiting unframed works, the prices can be kept low, and that people can choose to have original artwork on their walls.

Artists can enter either five works for £15 , or fill and bring your own browser with your work £35.
The works are not to exceed £100 in value. Works can be any 2D apart from photographs and reproductions must all be original.
See website for entry form and terms and conditions. HERE


Wednesday, 11 October 2017

Big Draw at Cresswell Crags

Thank you to all that came to our 2017 #bigdraw event it was lovely to know we were just one out of over one thousand #bigdraw events world wide and the aim of getting people together to draw worked perfectly at Creswell Crags that has the oldest rock art in Britain.

We spent the morning walking and sketching around the gorge then met for coffee in the wonderful cafe to share our work and thoughts (mainly on how great it is to be outdoors with like minded people.)
See below some of our photos we had balloons and certificates all provided by the Campaign For Drawing.